[{"data":1,"prerenderedAt":31},["ShallowReactive",2],{"projectmoving-forest":3},{"slug":4,"title":5,"year":6,"content":7,"image":8,"categories":10,"featured":23,"audio":24,"video":25,"media":26},"moving-forest","Moving Forest ",2008,"\u003Cp style=\"text-align: left;\" class=\"has-image\">\u003Cimg loading=\"lazy\" src=\"https:\u002F\u002Fwp.kaffematthews.net\u002Fwp-content\u002Fuploads\u002F2008\u002F08\u002Fmf_timeline.jpg\" data-project-media-index=\"0\">\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>\u003Cem>Moving Forest AKA THE CASTLE\u003C\u002Fem>\u003C\u002Fstrong>,  was conceived and directed by \u003Ca href=\"http:\u002F\u002Fwww.brooklynmuseum.org\u002Feascfa\u002Ffeminist_art_base\u002Fgallery\u002Fshulea_cheang.php\" target=\"new\">Shu Lea Cheang\u003C\u002Fa> and \u003Ca href=\"http:\u002F\u002F1010.co.uk\u002F\" target=\"new\">Martin Howse,\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp style=\"text-align: left;\">A 12 hour 5 act sonic performance which mapped an imaginary Castle and camouflage forest revolt (Transmitter network) onto Haus der Kultur under Welt and the surrounding Tiergartern, Berlin on February 1st as part of \u003Ca href=\"http:\u002F\u002Fwww.transmediale.de\u002Fsite\u002Fen\u002Fprogramm\u002Foverview\u002F\" target=\"new\">Transmediale 2008. \u003C\u002Fa>\u003C\u002Fp>\n\u003Cp style=\"text-align: left;\">This conceptual transformation heralded further everyday magic, with the final 12 minutes of Kurosawa’ film Throne of Blood rendered into 12 hours of sonic coded action. Meanwhile inside the Castle, a classic tale of remorse, betrayal and overthrow was underway, transformed by sound artists Mattin, Leif Elggren, Joachim Montessius, Phil Niblock and Matthews each in 2 hour chunks with all the Main Frame artists, the Film Eater \u003Ca href=\"http:\u002F\u002Fwww.medienkunstnetz.de\u002Fartist\u002Fgraham-harwood\u002Fbiography\u002F\" target=\"new\">Graham Harwood,\u003C\u002Fa> Arrows and Blood Linda Dement,  as well as G8 blockade in continuous action.\u003C\u002Fp>\n\u003Cp style=\"text-align: left;\">Matthews performed \u003Cem>\u003Cstrong>act 2] Betrayal (2 hours)\u003C\u002Fstrong> \u003C\u002Fem>using \u003Ca href=\"http:\u002F\u002Fwww.steim.org\u002Fsteim\u002Flisa.html\" target=\"new\"> LiSa\u003C\u002Fa> and \u003Ca href=\"http:\u002F\u002Fwww.musicforbodies.net\u002Fwiki\u002FSonicBench_Mexico\" target=\"new\">Sonic_Bench\u003C\u002Fa> developed software using a shifting matrix she fed live with the \u003Ca href=\"http:\u002F\u002Fen.wikipedia.org\u002Fwiki\u002F?%C3%A0n_b?u\" target=\"new\">dan-bau,\u003C\u002Fa> processings, improvised lines of falsetto performed live by the wonderful \u003Ca href=\"http:\u002F\u002Fwww.christiankesten.de\u002F\" target=\"new\">Christian Kesten\u003C\u002Fa> – and male Scottish voice reading 37 of Matthew Fuller’s 500 slogans (old collaboration renewed) through the generosity of the awesome \u003Ca href=\"http:\u002F\u002Fwww.nationaltheatrescotland.com\u002Fcontent\u002Fdefault.asp?page=s185_2\" target=\"new\">Tam Dean Burn.\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp>Played and diffused from a lit stage through an eight channel sound system to conference perambulating audience, it created an ideal open laboratory show.\u003C\u002Fp>\n\n",{"url":9},"\u002Fwp-content\u002Fuploads\u002F2008\u002F08\u002Fmf_timeline.jpg",[11,15,19],{"slug":12,"name":12,"ID":13,"count":14},"collaboration",17,261,{"slug":16,"name":16,"ID":17,"count":18},"installation",11,262,{"slug":20,"name":20,"ID":21,"count":22},"live",8,228,false,[],[],[27],{"type":28,"src":9,"original":29,"large":30},"image",{"url":9},{"url":9},1794140188282]