[{"data":1,"prerenderedAt":31},["ShallowReactive",2],{"projectcd-bea-1998":3},{"slug":4,"title":5,"year":6,"content":7,"image":8,"categories":10,"featured":23,"audio":24,"video":25,"media":26},"cd-bea-1998","cd Bea ",1998,"\u003Cp class=\"has-image\">\u003Cimg loading=\"lazy\" src=\"https:\u002F\u002Fwp.kaffematthews.net\u002Fwp-content\u002Fuploads\u002F2017\u002F11\u002FbeaW.jpg\" data-project-media-index=\"0\">\u003C\u002Fp>\n\u003Cp>Kaffe Matthews in the U.S.,  converting a violin into something completely different.\u003C\u002Fp>\n\u003Cp>\u003Cem>“Matthews’ music is at once uncompromising and strangely approachable, and you can’t say that about many electronic improvisers.”   \u003C\u002Fem>                       Will Montgomery, The WIRE. 1998.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Made in a rock club in Chicago, a bookstore in Baltimore, a cafe in Detroit and a gallery in Philadelphia on a 10 date solo tour of the USA.   December 1997.\u003C\u002Fp>\n\n",{"url":9},"\u002Fwp-content\u002Fuploads\u002F2017\u002F11\u002FbeaW.jpg",[11,15,19],{"slug":12,"name":12,"ID":13,"count":14},"compositions",7,360,{"slug":16,"name":16,"ID":17,"count":18},"live",8,228,{"slug":20,"name":20,"ID":21,"count":22},"solo",16,108,false,[],[],[27],{"type":28,"src":9,"original":29,"large":30},"image",{"url":9},{"url":9},1794140200168]