Saturday 15th May

I am set to play Tangible for the Turbine Hall, TATE Modern with the new tuning fork instrument.  I use super balls to strike them, a biscuit tin to resonate and an electric guitar to amplify. Then its strike and go, into LiSa and out again through various matrices. I am pushing and pulling them 1998 style and it’s only stereo. The acoustic is so huge and wild in here that I think this could be a good thing.  And being back on a stage will mean I won’t hear what the audience do either. It could be a great night.

I’m playing free for No Soul for Sale festival and Tate 10 year anniversary, even though they are sponsored by BP. I also ate at  “Shanghai” in Dalston the other night even though they have shark fin soup on the menu. What are you going to do about that Kaffe?

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